Scene 1 - Main Titles         The movie starts off from the perspective of a theatre, setoff in pitch black, with a turn of chatter, which would be the said(prenominal) as if you went into a real theatre, the sound of everyone calming push down and wankting themselves comfortable, then as the lights come on the kick the bucket in orchestra starts.         The conductor I feel is added for a bit of comedy, to contrast with the beginning sadness of the accounting entry.         The twentieth century obnubilate logo, which everyone is wedded to seeing, is noticed again as Bazz Luhrmann has given the introduction and source credits an olden day feel, simulating the scratching you nourish on the old films.         After the 20th century shake off logo, when the movies developed opening credits begin, the music chosen is terce unalike songs, which are The sound of music, ???? and The CanCan to give a (cant withdraw of the word, it means example of the songs shown) of a few of the songs employ in the movie.         The fast tempo acceleration of The CanCan music with the project of a can can dancer in the stress gives the physical body a exciting element, which cuts sharply to the smooth old fashioned footage of the title Paris 1900 to give the auditory sense a refrence point. Scene 2 - There Was A Boy...
        The camera zooms in onto the screen, cropping the theatre stage and the conductor, implying that its grave stuff now, and not variation and games.         The scene f irst shown is of Christians apartment, with ! the Lamour brand shown prominently, revealing to the French-speaking auditory modality that the movie is about love, on the left of the apartment is Toulouse-Lautrec (John Lequizamo) render Nature boy (written by Eden Ahbez), when he starts notification about a very fantastical and enchanted boy... If you want to get a full essay, ordination it on our website:
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